Backbones: The Autobahn of the InternetOn the macro scale of

After years of aspiring to stake out the terrain of edgy, hip opera, the Metropolitan Opera seems to be having a season of retrenchment. In November, the company replaced Willy Decker’s modernistic giant clock production of Verdi’s “La Traviata” with an inoffensive and more conventional rehashing by Michael Mayer. On New Year’s Eve, there followed Read more about Backbones: The Autobahn of the InternetOn the macro scale of[…]